Argylle is a disappointingly generic offering from Matthew Vaughn which does nothing to raise him out of the current slump he's in. Because up until now he's always been a master at taking familiar plot structures and using them to make a subversive take on tried and tested story tropes. He did this for superheroes in Kick Ass and for the spy genre in the first Kingsman movie. Argylle on the other hand barely has a single original idea in its entire runtime so it just doesn't feel like it's doing anything of substance with this fairly familiar story. It's not only totally uninspired as a viewing experience but also a pretty boring one at that. I don't know what happened to the Matthew Vaughn of old who used to be so good at telling concise, focused stories because this yet another film of his that felt massively overindulgent. Though that may be to light a word to describe just how poorly paced this movie is because almost every single scene in this thing overstays it's welcome. No matter how many great action scenes and funny moments there were, when you drag these moments on for too long they lose almost all of their effectiveness. The totally bog standard story doesn't do anything to justify the runtime it's given and Matthew Vaughan's serious lack of restraint in editing robs the entire film of any pace or urgency. I wouldn't really say I was that impressed in the writing or visual departments. It's a pretty bland looking movie overall with some impressive action but a massive overuse of CGI that frequently took me out of the film. There are many reasons my the 3rd act basically collapsed in on itself for me but the horrendous effects were a large part of it. It feels like ever since the first Kingsman, Vaughn has been trying to top the, now iconic, church fight scene to no avail. The last act dials of the insanity up to ridiculous levels and in no good way. Vaughn just throws a series of ludicrous, over-the-top action sequences in our face back-to-back and not only do they fall totally flat, they actually made me cringe. But like any film other film, Argylle lives and dies by it's script and quite frankly it's terrible. There's barely a single original idea in this entire film and the whole spy-story-within-a-spy-story gimmick was interesting to begin with but it wore out it's welcome pretty quickly for me. The whole plot revolves around a standard McGuffin chase, a shadowy rogue spy organisation and hints of an amnesia plot. We've seen all this 100 times before and it's not used in a way that feels cheekily referential but just frustratingly lazy. I had very little investment in the Cavill sequences since they're established as fictional from almost the very start but I also didn't find Cavill's performance or the character to be that interesting. He's written as such a charisma vacuum and that's not something I'd ever associate Cavill with. It felt like they just kept forcing the Argylle character into the narrative to capitalise on Cavill's star power rather than because the character warranted repeated inclusion. I liked Bryce Dallas Howard and Sam Rockwell as a pair and they did have good chemistry but some of the twists and turns related to their characters I found to be quite ridiculous honestly and it felt like Vaughn was pulling twists out of thin air rather than truly earning them. I was truly hoping that Argylle would be the return to form for Matthew Vaughn that I've been waiting for but honestly this might just be the worst film he's ever made for me. I liked Golden Circle more than most but it was still a massive step down from the first, The King's Man on the other hand was a totally bland slog that never really justified it's own existence. But neither of those two films matched the level of wasted potential that Argylle exhibited for me. It just feels like Vaughn has totally lost sight of what made him and his films stand out in the first place and this feels like a bare template of a story without anything that makes it feel remotely original or subversive. I know it's only February but 2024 has already presented one of its biggest cinematic disappointments for me.

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