Bad casting is the least of the problems in this Sorkin polemic on the 1950s. But it is the bad casting where I will start. First, it isn't "ageism" to be so distracted with an actress's bad plastic surgery that a show becomes unpleasantly jarring. Kidman is so frozen that all she can do is stare into the camera when she makes a point. No matter how well Kidman mimics Ball's husky voice, she looks like a doll wearing a mask. It's okay when she's playing Lucille Ball in a serious script read, but it completely falls apart when she plays Lucille Ricardo. Kidman's own features are so robotically flat, that she looks like she's an animated drawing mimicking a human mimicking a the world's most famous comedienne. To the other miscasting issue, Javier is an older, masculine Spaniard who lacks the litheness and charm of the boyish Desi Arnaz. The scenes of him doing a very bad imitation of Cuban English with Desi as a young man are as jarring to the Spanish ear as the idea of Jackie Gleason suddenly appearing as sexy young Paul Newman in a remake of "HUD." (He can't even sing "BABALU" for Cuban Pete's sake!!!!!) Third, Sorkin's standard "rata tat tat" dialogue performed by two people who are both uncomfortable with their accents makes the chatter between Lucy and Desi at times unbearable. It's stilted and uncomfortable. It's also full of exposition, which is the hallmark of very lazy writing. These two people were trailblazers, but they were real people. That Sorkin wants to use them as a metaphor might work, if he would stop beating us over the head with what he wants us to know. He should just let the story, which is remarkable, tell itself. Last, yes. I know Lucie Arnaz did a video defending the casting and Sorkin. And i might take that the endorsement Sorkin's fans want it to be, if she had disclosed in that video that Arnaz and her brother were principal investors in the film. Kidman may have "crawled up in" Lucie's mother's head, but Lucie paid her to be there. Who wasn't miscast? Nina Arianda shines as Vivian Vance and J. K. Simmons becomes drunk Bill Frawley. Linda Lavin owns the screen as the aged Madelyn Pugh. They make me really want to love this film, but I don't. Do you love Lucy? Watch the many "Lucy" series and then read the many biographies written about the two actors. You won't have to waste your time with Sorkin's ego trip, and you might learn something. Lucille Ball and Desi Arnaz deserve better than being Aaron Sorkin's object lesson.

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